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Although Indonesia has the fourth largest population in the world, its history is still relatively unknown. Adrian Vickers takes the reader on a journey across the social and political landscape of modern Indonesia, starting with the country's origins under the Dutch in the early twentieth-century, and the subsequent anti-colonial revolution which led to independence in 1949. Thereafter the spotlight is on the 1950s, a crucial period in the formation of Indonesia as a new nation, followed by the Sukarno years, and the anti-Communist massacres of the 1960s when General Suharto took over as president. The concluding chapters chart the fall of Suharto's New Order after thirty two years in power, and the subsequent political and religious turmoil which culminated in the Bali bombings in 2002. Adrian Vickers is Professor of Asian Studies at the University of Wollongong. He has previously worked at the Universities of New South Wales and Sydney, and has been a visiting fellow at the University of Indonesia and Udayana University (Bali). Vickers has more than twenty-five years research experience in Indonesia and the Netherlands, and has travelled in Southeast Asia, the U.S. and Europe in the course of his research. He is author of the acclaimed Bali: a Paradise Created (Penguin, 1989) as well as many other scholarly and popular works on Indonesia. In 2003 Adrian Vickers curated the exhibition Crossing Boundaries, a major survey of modern Indonesian art, and has also been involved in documentary films, including Done Bali (Negara Film and Television Productions, 1993).
This is the first book in English to deal with the twin subjects of Old Norse poetry and the various vernacular treatises on native poetry that were a conspicuous feature of medieval intellectual life in Iceland and the Orkneys from the mid-twelfth to the fourteenth centuries. Its aim is to give a clear description of the rich poetic tradition of early Scandinavia, particularly in Iceland, where it reached its zenith, and to demonstrate the social contexts that favoured poetic composition, from the oral societies of the early Viking Age in Norway and its colonies to the devout compositions of literate Christian clerics in fourteenth-century Iceland. The author analyses the two dominant poetic modes, eddic and skaldic, giving fresh examples of their various styles and subjects; looks at the prose contexts in which most Old Norse poetry has been preserved; and discusses problems of interpretation that arise because of the poetry's mode of transmission. She is concerned throughout to link indigenous theory with practice, beginning with the pre-Christian ideology of poets as favoured by the god Â¢dinn and concluding with the Christian notion that a plain style best conveys the poet's message. Margaret Clunies Ross is McCaughey Professor of English Language and Early English Literature and Director of the Centre for Medieval Studies at the University of Sydney.
Collection of tales by the 19th century writer, Jessie Catherine Huybers who wrote under the pseudonym of TTasma'. There are nine pieces which reflect a woman's view of colonial Australia and Europe. They include early works from the years of her first marriage in rural Victoria as well as the products of her later years as the wife of a prominant Belgian. The author's other books include TUncle Piper of Piper's Hill' (1889) and numerous articles and short stories.
What's the best way to learn about the different periods in theatre history? By example, of course! In "A Brief History of Theatre," the audience is taken on a tour of theatre history by presenting (almost) the same story in three styles: Ancient Greek, Elizabethan, and Modern Musical. The fourth wall is irreparably broken as two Announcers introduce and comment on three separate yet inseparable plays: "Four Against a Serpent," "All's Well That's Dressed in Armor," and "Sammy & Kate." Designed for flexible casting, the show has twenty-three speaking roles (not counting the Greek Chorus) and room for plenty of extras, but can be performed with as few as nine actors of any gender.
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