Although Indonesia has the fourth largest population in the world, its history is still relatively unknown. Adrian Vickers takes the reader on a journey across the social and political landscape of modern Indonesia, starting with the country's origins under the Dutch in the early twentieth-century, and the subsequent anti-colonial revolution which led to independence in 1949. Thereafter the spotlight is on the 1950s, a crucial period in the formation of Indonesia as a new nation, followed by the Sukarno years, and the anti-Communist massacres of the 1960s when General Suharto took over as president. The concluding chapters chart the fall of Suharto's New Order after thirty two years in power, and the subsequent political and religious turmoil which culminated in the Bali bombings in 2002. Adrian Vickers is Professor of Asian Studies at the University of Wollongong. He has previously worked at the Universities of New South Wales and Sydney, and has been a visiting fellow at the University of Indonesia and Udayana University (Bali). Vickers has more than twenty-five years research experience in Indonesia and the Netherlands, and has travelled in Southeast Asia, the U.S. and Europe in the course of his research. He is author of the acclaimed Bali: a Paradise Created (Penguin, 1989) as well as many other scholarly and popular works on Indonesia. In 2003 Adrian Vickers curated the exhibition Crossing Boundaries, a major survey of modern Indonesian art, and has also been involved in documentary films, including Done Bali (Negara Film and Television Productions, 1993).
This is the first book in English to deal with the twin subjects of Old Norse poetry and the various vernacular treatises on native poetry that were a conspicuous feature of medieval intellectual life in Iceland and the Orkneys from the mid-twelfth to the fourteenth centuries. Its aim is to give a clear description of the rich poetic tradition of early Scandinavia, particularly in Iceland, where it reached its zenith, and to demonstrate the social contexts that favoured poetic composition, from the oral societies of the early Viking Age in Norway and its colonies to the devout compositions of literate Christian clerics in fourteenth-century Iceland. The author analyses the two dominant poetic modes, eddic and skaldic, giving fresh examples of their various styles and subjects; looks at the prose contexts in which most Old Norse poetry has been preserved; and discusses problems of interpretation that arise because of the poetry's mode of transmission. She is concerned throughout to link indigenous theory with practice, beginning with the pre-Christian ideology of poets as favoured by the god Â¢dinn and concluding with the Christian notion that a plain style best conveys the poet's message. Margaret Clunies Ross is McCaughey Professor of English Language and Early English Literature and Director of the Centre for Medieval Studies at the University of Sydney.
Fast-paced vigilante mystery novella, readers call DEATH IN THE DARK "hard to put down" Joy Humbolt is hiding not only from the law but also her own memories. This isolated life drinking tequila and feeling miserable on the beach doesn't last long though. A visit from her former partner in crime helps Joy accept her new identity as Sydney Rye. To complete the transformation, Joy must learn to control her emotions as well as her giant aggressive dog, Blue. With the help of an expert trainer, she learns to fight with her mind as well as her body. However, when the daughter of a close friend is brutally murdered in the desert, Rye turns away from her mentor to seek revenge. Her quick temper and deadly intentions lead Sydney Rye into a trap that she will need all of her new skills to survive. The Sydney Rye Series UNLEASHED (A Sydney Rye Novel, #1) DEATH IN THE DARK (A Sydney Rye Novella, #2) INSATIABLE (A Sydney Rye Novel, #3) STRINGS OF GLASS (A Sydney Rye Novel, #4) THE DEVIL'S BREATH (A Sydney Rye Novel, #5) INVITING FIRE (A Sydney Rye Novel, #6) Emily Kimelman's Sydney Rye series of vigilante crime mysteries feature a strong female protagonist and her canine best friend, Blue. It is recommended for the 18+ who enjoy some violence, don't mind dirty language, and are up for a dash of sex. Not to mention an awesome mystery with tons of action that will keep you reading late into the night!
This book provides a detailed introduction to the development of the German language from the earliest reconstructible prehistory to the present day. A key to understanding how any human language works is understanding how that language developed over time. German speakers, as well as language learners and teachers are often puzzled by many questions about the German language: How did German come to have so many different dialects and close linguistic cousins like Dutch and Plattdeutsch? Why does German have 'umlaut' vowels and why do they play so many different roles in the grammar (noun plurals and subjunctive verbs, among many more)? Why are noun plurals so complicated (-e, -en, -er, umlaut, -s or nothing at all)? Are there reasons for the different gender markings in the language (die Woche versus das Auge)? Are dialects dying out today? Does English, with all the words it loans to German, pose a threat to the language? Full, satisfying answers to many of these questions are emerging in current research and this book presents, in an accessible manner, a concise linguistic introduction to the history of German as specialists understand it today. The book is supported by a companion website and is suitable for language learners and teachers and students of linguistics, from undergraduate level upwards.
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